The 100 Greatest Jazz Album Covers uDiscover


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Article By Victor Margolin June 29, 2015 ∙ 13 min. read The beginning During the 1950s and 1960s modern jazz became a widely recognized part of American culture. As a musical form, it was radically changed in the 1940s by the bebop experiments of Charlie Parker, Dizzy Gillespie, and other musicians who were playing at clubs in New York.


Robert Voight's Design Blog Best Jazz album covers' design. Part Two

For 80 years, recording label Blue Note Records has defined how jazz music looks. We dig into the archive to uncover pitch-perfect examples


Robert Voight's Design Blog Best Jazz album covers' design. Part Two

Jazz Album Covers by David Stone Martin Café Society was a unique establishment. Opened in 1938 at the heart of Greenwich Village in Sheridan Square, it was the first racially integrated club in New York City, known as "The Wrong Place for the Right People".


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The 100 Greatest Jazz Album Covers Published on October 30, 2015 By uDiscover Team Posed with the question, "Who invented jazz album cover design?" Most people will instantly say, Blue Note.


The 100 Greatest Jazz Album Covers uDiscover

But with the resurgence of vinyl, the cult of cover art is back. Here are five jazz album covers from across the decades that are as colourful as the music inside. Bix and Tram by Bix Beiderbecke with Frankie Trumbauer's Orchestra. SPONSORED. Columbia Records designer Jim Flora saw the whimsical side of jazz in his 1947 caricatures of.


The 100 Greatest Jazz Album Covers uDiscover

Creed Taylor is the celebrated music producer of the CTI Label. A pioneer of best-selling jazz styles since the 1950's, his signature is on the labels of important record labels, including Impulse and Verve. The Color Of Jazz: Album Cover Photographs By Pete Turner Foreword by Quincy Jones Introduction by Ashley Kahn Afterword by Creed Taylor


The 100 Greatest Jazz Album Covers uDiscover

David Stone Martin was a legendary jazz album cover designer in the 1940s and 50s, working on 400+ in total during that period. He is revered among jazz collectors worldwide who refer to him simply by his initials, DSM. You know you're good when collectors buy albums solely because of your album covers and not necessarily for the music.


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Listen to the best of Blue note on Apple Music and Spotify, and scroll down for some of the most iconic Blue Note album covers of all time. Hank Mobley Quartet (1955) Sidney Bechet: Jazz Classics.


Robert Voight's Design Blog Best Jazz album covers' design. Part Two

Fonts were never more dope. And, finally, I'll share some of my favorite Afrofuturist jazz album covers. features art by Nobuyuki Nakanishi. Mati Klarwein handled the cover for Live Evil. LeRoy Butler provided cover art for Discipline 27-II, Hollis Kind for High Priestess of Soul, Don Bied for , and Robert Springett for.


The 100 Greatest Jazz Album Covers uDiscover

Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process.Follow Vox Earworm on Facebook for mo.


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Jazz Album Covers by David Stone Martin Born in 1913, David Stone Martin's work may have transcended one specific jazz record label, but with more than 400 jazz album covers on his CV, his unique style deserves a closer look.


The 100 Greatest Jazz Album Covers uDiscover

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The 100 Greatest Jazz Album Covers uDiscover

In a new Taschen book Jazz Covers, a range of striking and colourful album artworks showcase a long-running relationship between the worlds of design and jazz music, from Archie Shepp to.


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The Evolution of Jazz Album Covers A look at what makes a jazz album cover and how the visual style of jazz cover art was created. Written by Mark Yoder In 1939, 78 rpm records, which only played one song per side, were packaged in brown paper sleeves.


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Features > Artists Genres > Playlists Videos Quizzes Win The Best Album Covers: 100 Pioneering Record Designs From indelible images to perfect portraits, the 100 greatest album covers.


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80: Pat Metheny: Bright Side Life (ECM) Largely ignored and selling barely 1,000 copies on its release in January 1976, the Missouri guitar magus' debut jazz album gradually grew in stature and.